About the Artist – Steve Emery
I love Michelangelo’s comment about his sculpting, “I saw the angel in the
marble and carved until I set him free.” I do share that feeling. My subjects
are already there. They are just waiting for me to find them with the right
illumination and spark to bring them to life.
I have worked with computer systems for over 20 years. While I have dabbled
in the arts over the years, I just hadn’t found my place. ChipScapesTM came
about as a confluence of hobbies. I am a collector of vintage computer chips.
And I have been an avid photographer since I was a teenager. The idea for
ChipScapesTM started when I began framing old computer chips with photographs as
gifts for my family. With their encouragement I shifted the focus from the
physical chip to the artwork you see today.
In my home town of Winter Park, FL, we are fortunate to have
a world class museum, The Charles Hosmer
Morse Museum of American Art. The Morse Museum has the largest
collection of Louis Comfort Tiffany's artwork. The museum is only a 10 minute
walk from my home and I visit it often. Tiffany was a genius with many artistic
talents. His choice of glass as his primary medium led many to relegate him to
the industrial arts, rather than the fine arts. I feel a certain affinity with
Tiffany, in that a lot of my work can be thought of as industrial art. Also,
although we come at it from very different angles, both our work is based in
glass. Chips, and my artworks, are made possible because of the SiO2
(Silicon Dioxide) insulation layers used in their construction. The more common
name for SiO2 is glass. Tiffany and I
were attracted to glass for the same reasons, namely the way that it reflects and
refracts light. Whereas he sought to create the light in his works, I attempt to
capture it in mine. Many of my artworks have a stained glass feel, which is not by
accident.
Ultimately, I view myself as a kind of 21st century pop
artist.
To each of my works I attach a short narrative. In these I
try to share a little of my inspiration and a little of the work’s context. Some
say art should stand on its own. I am from a different school that believes that
the greatest appreciation of art comes from an understanding of the influences and
circumstances that surround its creation.
My pictures are joys for me to create. As I acquire new chips I revel in their
technology and place in history. Under the microscope, I study their designs
looking for uniqueness, a quirk, an unusual aspect or quality. These are the
basis for my pictures. I look at the circuits that make a chip special and see
if I can highlight them. It is a treasure hunt. I am sometimes disappointed, but
not often. I am truly humbled by the genius of the designers of these chips and
hope my work does them some tribute.
Shakespeare put forth a question, “To be, or not to be.” There is much debate
about what exactly he meant, but I believe, beyond the confines of Hamlet, it is
a call to live, to see the beauty in the world. That’s what makes life worth
living. We can live our lives ignoring the beauty all around us, but I chose “to
be.” I choose to seek out beauty and share it with others. My hope is to inspire
people to find the art in all that they do. After all, even in the coldness of
technology we can find beauty … if we look for it.
Steve Emery
Here is a running log of news, events, etc:
October 14th, 2005
A lot has happened since I started this journey. I am now an
"award winning and internationally collected artist". This statement seems
pretty outrageous to me, but even more bizarrely, is true. I am told I should
exude confidence, as successful artists do, but I am just humbled by the
acceptance my work has received. I guess I never had a vision of where my
artworks would wind up, but they are going into homes, offices, and even
museums.
The picture of me, above, came from a article in the San Jose
Mercury News that ran in September about Chip Collecting.
Click here to read the article. It was
pretty cool to be in the newspaper that covered the growth of Silicon Valley. I
was happy to see Chip Collecting get some more exposure. Now that the
Smithsonian has its own chip
collection, I guess there is some merit to the hobby after all :)
Another exciting project was a collaboration with artist Kim
Sterling. Kim was asked to provide some artwork for a new a cafeteria at the
corporate headquarters of major chip maker in Santa Clara. Kim used my
Towers artwork to create part of her work. Click here
if you would like to see the finished project.
March 20th, 2006
My biggest
project was about a dozen original works I created for one of the world's
foremost collectors of personal computers. To have my artwork associated with
this collection was truly an honor. This collection of low-serial-number and
one-of-a-kind machines is truly amazing.
One of my more fun projects was a book cover I created for Silicon Valley great, Steve Liebson. I created the artwork for his new book, "Designing SOCs with Configured Cores" (Click here if you would like
to see the book on Amazon). The artwork shows the major waves of chip technology: transistors, logic chips, and microprocessors, which have led up to the topic of the book, Systems on
a Chip.
I created several new artworks for my Historical Series. I have been experimenting with some new 3-D mixed media designs. It seems I have been in an experimenting mood lately. I need to move some
of these projects to a more finished state.
January 12th, 2007
I am in the process or re-opening my eBay store. I have been
restructuring the store to accommodate my newest artworks. The creative process is what turns me on. Around October, I went on a creative binge
trying new styles, so now I'm doing a little housework getting these artworks
into my store.
January 31st, 2009
I had several of my artworks requested by a very prestigious
museum for their collection and I recently finished the donation process. It is
great to be recognized for creating something unique and to know these artworks
will be enjoyed for a long time to come.
April 21st, 2009
I am re-inventing my eBay store once again. Every time I think
I've got it just right, I start down another path that requires more tweaking. I have
started work on a series of large format canvas works. Actually, I started about
three years ago creating images I knew that would only look best in a large format (i.e.
greater than 16"x20"). I have been putting on final touch-ups, printing, and
stretching for about 3 months now. I wanted to put at least 12 in my store for
the startup. I sold out on my smaller 11"x14" canvases, so I am ready to start
another phase.
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